His books include Remnants of Song: The Experience of Modernity in Charles Baudelaire and Paul Celan Spectral Evidence: The Photography of Trauma The Rilke Alphabet What Snowflakes Get Right: Free Speech, Equality and Truth in the University, and, as editor and translator, The Dark Interval: Rilke’s Letters on Loss, Grief and Transformation the German edition of Rainer Maria Rilke's Prose, and, with Amir Eshel, Hannah Arendt zwischen den Disziplinen. He hosts the ideas podcast, Think About It and has published new editions of numerous classic books, including Austen’s Pride and Prejudice, Shelley’s Frankenstein, Brontë’s Jane Eyre, Wilde’s The Picture of Dorian Gray, Johnson’s The Autobiography of an Ex-Colored Man, Woolf’s Mrs. Ulrich Baer (moderator) is University Professor at New York University where he teaches literature and photography. In 1942, Boschwitz was allowed to return to England, but his ship was torpedoed by a German submarine and he was killed along with 362 other passengers. Boschwitz eventually settled in England in 1939, although he was interned as a German “enemy alien” after war broke out-despite his Jewish background-and subsequently shipped to Australia. He left Germany in 1935 for Oslo, Norway, studied at the Sorbonne in Paris, and wrote two novels, including The Passenger. Ulrich Alexander Boschwitz was born in Berlin in 1915. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.ĭescription taken from Macmillan Publishers. Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. As his world collapses around him, he is forced to concede that his nightmare is all too real. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Ĭlinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune.

until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.Īnd then another.

As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Jewish shops have been ransacked and looted, synagogues destroyed.

We Are But A Moment by Ulrich Baer